The last time Britain was a major force in world cinema was in the 1960s; a documentary of a few years back on the subject was entitled 'Hollywood UK'. This was the era of the Kitchen Sink, social realism, angry young men; above all, the theatrical. And yet, ironically, the best British films of the decade were made by two Americans, Richard Lester and Joseph Losey, who largely stayed clear of the period's more typical subject matter, which, like all attempts at greater realism, now seems curiously archaic. 　　'King and Country', though, seems to be the Losey film that tries to belong to its era. Like 'Look Back in Anger' and 'A Taste of Honey', it is based on a play, and often seems cumbersomely theatrical. Like 'Loneliness of the long distance runner', its hero is an exploited, reluctantly transgressive working class lad played by Tom Courtenay. Like (the admittedly brilliant) 'Charge of the Light Brigade', it is a horrified, near-farcical (though humourless) look at the horrors of war, most particularly its gaping class injustices. 　　Private Hamp is a young volunteer soldier at Pachendaele, having served three years at the front, who is court-martialled for desertion. Increasingly terrorised by the inhuman pointlessness of trench warfare, the speedy, grisly, violent deaths of his comrades and the medieval, rat-infested conditions of his trench, he claims to have emerged dazed from one gruesome attack and decided to walk home, to England. He is defended by the archetypal British officer, Captain Hargreaves, who professes disdain for the man's cowardice, but must do his duty. He attempts to spin a defence on the grounds of madness, but the upper-crust officers have heard it all before. 　　This is a very nice, duly horrifying, liberal-handwringing, middle-class play. It panders to all the cliches of the Great War - the disgraceful working-class massacre, while the officers sup whiskey (Haig!) - figured in some charmingly obvious symbolism: Hargreaves throwing a dying cigarette in the mud; Hamp hysterically playing blind man's buff. 　　The sets are picturesquely grim, medieval, a modern inferno, as these men lie trapped in a never-ending, subterranean labyrinth, lit by hellish fires, with rats for company and the constant sound of shells and gunfire reminding them of the outside world. 　　The play, in a very middle-class way, is not really about the working class at all - Hamp is more of a symbol, an essence, lying in the dark, desolately playing his harmonica, a note of humanity in a score of inhumanity. He doesn't develop as a character. The play is really about Hargreaves, his realisation of the shabby inadequacy of notions like duty. He develops. This realisation sends him to drink (tastier than dying!). Like his prole subordinates, he falls in the mud, just as Hamp is said to have done; he even says to his superior 'We are all murderers'. 　　This is all very effective, if not much of a development of RC Sherriff's creaky 'Journey's End', filmed by James Whale in 1930. Its earnestness and verbosity may seem a little stilted in the age of 'Paths of Glory' and 'Dr. Strangelove'; we may feel that 'Blackadder goes forth' is a truer representation of the Great War. But what I have described is not the film Losey has made. He is too sophisticated and canny an intellectual for that. 　　The film opens with a lingering pan over one of those monumental War memorials you see all over Britain (and presumably Europe), as if to say Losey is going to question the received ideas of this statue, the human cost. But what he's really questioning is this play, and its woeful inadequacy to represent the manifold complexities of the War. 　　This is Brechtian filmmaking at its most subtle. We are constantly made aware of the artifice of the film, the theatrical - the stilted dialogue is spoken with deliberate stiffness; theatrical rituals are emphasised (the initial interrogation; the court scene, where actors literally tread the boards, enunciating the predictable speeches; the mirror-play put on by the hysterical soldiers and the rats; the religious ceremony; the horrible farce of the execution). Proscenium arches are made prominent, audiences observe events. 　　This is a play that would seek to contain, humanise, explain the Great War. This is a hopeless task, as Losey's provisional apparatus explains, 'real' photographs of harrowing detritus fading from the screen as if even these are not enough to convey the War, never mind a well-made, bourgeois play. Losey's vision may be apocalyptic - it questions the possibility of representation at all - the various tags of poetry quoted make no impact on hard men men who rattled them off when young; the Shakespearean duality of 'noble' drama commented on by 'low' comedy, effects no transcendence, no greater insight. 　　Losey's camerawork and composition repeatedly breaks our involvement with the drama, any wish we might have for manly sentimentality; in one remarkable scene an officer takes an Aubrey Beardsley book from the cameraman! This idea of the theatrical evidently mirrors the rigid class 'roles' played by the main characters (Hamp's father and grandfather were cobblers too; presumably Hargreaves' were always Sandhurst cadets). Losey also takes a sideswipe at the kitchen sink project, by using its tools - history has borne him out.

一个英国人，在伦敦长大，二战期间加入军队在朝鲜战争中的战斗。

克雷格·比贝洛斯将导演根据Greg Rucka同名漫画改编的《女王与祖国》（Queen & Country）。艾伦·佩吉将饰演女主角Tara Chace，一名英国军情六处的女间谍。

雷德利·斯科特商谈执导福斯新片《女王与国家》(Queen & Country)，若谈好了他也将同Chernin Entertainment共同制片。基于Greg Rucka所著同名漫画，聚焦英国秘密情报局特工Tara Chace，她是三个致力于保护英国情报机构的特工组织中的其中一员，在一次暗杀任务重身份被暴露。 参与插画创作的包括Chris Samnee、Carla Speed McNei、Bryan Lee O'Malley，该系列漫画从2001年至2007年共出版了32本，于2002年获得埃斯纳最佳新系列漫画奖。 艾伦·佩吉曾在2013年时商谈出演，当时操刀剧本的是莱恩·康道尔(《殖民地》《宙斯之子：赫拉克勒斯》)，John Rogers(《终极玩家》《猫女》)和Rucka此前也进行过创作，目前剧本的状态不明。

《대한민국 정치비사》는 2013년 5월 12일부터 6월 2일까지 종합편성채널 MBN에서 방송된 다큐드라마이다.

《대한민국 정치비사》는 2013년 5월 12일부터 6월 2일까지 종합편성채널 MBN에서 방송된 다큐드라마이다.

节目通过婚宴、周岁宴、成人宴、鹿鸣宴、军宴、寿宴等不同场景主题，将美食宴饮文化中的精彩切面整理展现，意图梳理出传统文化中宴饮的文化礼仪和仪式感，并链接当下找到宴饮文化的传承和发展。

节目通过婚宴、周岁宴、成人宴、鹿鸣宴、军宴、寿宴等不同场景主题，将美食宴饮文化中的精彩切面整理展现，意图梳理出传统文化中宴饮的文化礼仪和仪式感，并链接当下找到宴饮文化的传承和发展。

第一集《洋山深水港》 　　2002年，中国的又一个宏伟的建设项目拉开帷幕，中国的工程师们和工人们正在大洋深处建设世界上最宏大的项目--洋山港。洋山港将成为有史以来最大的深水港，长达二十公里的码头，有五十个泊位，它位于大洋深处三十公里，一座世界上第二长的跨海大桥把洋山港和中国的大陆连接起来。 　　第二集《中国杭州湾跨海大桥》 　　它们看上去或许像是历史的尘埃，但实际上却是通向一个现代奇迹的台阶，而施工队仅有五年半的工期来完成它，他们要迎接危险的急流，以及时速超过170公里的狂风，并且与“银龙”搏斗，该项目的困难之处在于这座大桥跨越的不是一条河流，而是一片海洋。 　　第三集《水立方》 　　数千年来中国一直通过地标性的建筑物彰显着自身的强大，在迅速崛起的今天，钢筋与水泥的组合再一次向世界展示了中国的复兴。在今天的中国，令人称奇的建筑莫过于此。在北京，工人们正在建造一座伟大的建筑，当北京奥运圣火点燃时，全世界的目光将集中在国家游泳中心。 　　第四集《上海虹桥交通枢纽》 　　上海是了解中国最早的门户，100年前这座城市的经济就蓬勃发展起来，如今周围地区人口已达到1800万，而他们都使用着以上海为中心的交通运输网络。 　　第五集《建设上海新都市》 　　上海，一个沉睡的巨人，被世界遗忘了半个世纪之久，唤醒它的是中国改革开放的总设计师邓小平。1992年，他宣布上海必须重新成为东方明珠，中国的商业中心。为了建设新上海，建筑师和工程师必须应对软土不稳定的地面和致命的台风，这将是一座挑战自然，挑战物理规律的城市。 　　第六集《北京轨道交通系统》 　　北京，一个新兴经济大国的首都。昔日的自行车王国如今一片车水马龙的景象，这座城市拥有超过350万辆汽车，全城大堵车几乎每天发生；仅去年一年，北京的人口就增加了150万，城市发展的速度远远超出了基础设施的承受能力。北京的解决方案堪称大手笔，那就是建设全球最大的地铁系统。地铁线路将从现在的8条增加到19条，新建地铁线路长达400公里，尖端的安全措施将在200个新站点保障乘客的安全，而最先进的信号系统将彻底革新列车的运行方式。崛起的东方巨龙，比任何时候都需要新的地铁系统，但北京的工程师们能否应对这一挑战？全世界都在关注。 　　第七集《上海世博园》 　　2010年是属于上海的，世博会将在中国这个最大最繁华的城市举行。人们即将迎来一次盛会，届时将会有7000万人见证这场集创新、娱乐性和新式建筑于一身的盛会。上海正大步迈向世界舞台，整个城市都在被重新打造，焕然一新，全球最大的盛会即将拉开帷幕。 　　第八集《青藏铁路》 　　中国的青藏铁路，全长1142公里，沿途共有10条隧道，675座桥梁，穿越了世界上自然环境最为严酷的青藏高原，这里海拔很高，异常寒冷，稀薄的空气很有能致人于死地，这些冻土很不稳定，全世界都认为不可能在世界最高的高原修铁路，但事实证明这种判断是错误的。

第一集《洋山深水港》 　　2002年，中国的又一个宏伟的建设项目拉开帷幕，中国的工程师们和工人们正在大洋深处建设世界上最宏大的项目--洋山港。洋山港将成为有史以来最大的深水港，长达二十公里的码头，有五十个泊位，它位于大洋深处三十公里，一座世界上第二长的跨海大桥把洋山港和中国的大陆连接起来。 　　第二集《中国杭州湾跨海大桥》 　　它们看上去或许像是历史的尘埃，但实际上却是通向一个现代奇迹的台阶，而施工队仅有五年半的工期来完成它，他们要迎接危险的急流，以及时速超过170公里的狂风，并且与“银龙”搏斗，该项目的困难之处在于这座大桥跨越的不是一条河流，而是一片海洋。 　　第三集《水立方》 　　数千年来中国一直通过地标性的建筑物彰显着自身的强大，在迅速崛起的今天，钢筋与水泥的组合再一次向世界展示了中国的复兴。在今天的中国，令人称奇的建筑莫过于此。在北京，工人们正在建造一座伟大的建筑，当北京奥运圣火点燃时，全世界的目光将集中在国家游泳中心。 　　第四集《上海虹桥交通枢纽》 　　上海是了解中国最早的门户，100年前这座城市的经济就蓬勃发展起来，如今周围地区人口已达到1800万，而他们都使用着以上海为中心的交通运输网络。 　　第五集《建设上海新都市》 　　上海，一个沉睡的巨人，被世界遗忘了半个世纪之久，唤醒它的是中国改革开放的总设计师邓小平。1992年，他宣布上海必须重新成为东方明珠，中国的商业中心。为了建设新上海，建筑师和工程师必须应对软土不稳定的地面和致命的台风，这将是一座挑战自然，挑战物理规律的城市。 　　第六集《北京轨道交通系统》 　　北京，一个新兴经济大国的首都。昔日的自行车王国如今一片车水马龙的景象，这座城市拥有超过350万辆汽车，全城大堵车几乎每天发生；仅去年一年，北京的人口就增加了150万，城市发展的速度远远超出了基础设施的承受能力。北京的解决方案堪称大手笔，那就是建设全球最大的地铁系统。地铁线路将从现在的8条增加到19条，新建地铁线路长达400公里，尖端的安全措施将在200个新站点保障乘客的安全，而最先进的信号系统将彻底革新列车的运行方式。崛起的东方巨龙，比任何时候都需要新的地铁系统，但北京的工程师们能否应对这一挑战？全世界都在关注。 　　第七集《上海世博园》 　　2010年是属于上海的，世博会将在中国这个最大最繁华的城市举行。人们即将迎来一次盛会，届时将会有7000万人见证这场集创新、娱乐性和新式建筑于一身的盛会。上海正大步迈向世界舞台，整个城市都在被重新打造，焕然一新，全球最大的盛会即将拉开帷幕。 　　第八集《青藏铁路》 　　中国的青藏铁路，全长1142公里，沿途共有10条隧道，675座桥梁，穿越了世界上自然环境最为严酷的青藏高原，这里海拔很高，异常寒冷，稀薄的空气很有能致人于死地，这些冻土很不稳定，全世界都认为不可能在世界最高的高原修铁路，但事实证明这种判断是错误的。